Alfred H. Miles, ed. Women Poets of the Nineteenth Century. 1907.
By Critical and Biographical Essay by Alfred H. MilesRosa Newmarch (18571940)
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Removing to London on her marriage in 1883, Mrs. Newmarch began writing on musical subjects, contributing articles to Grove’s “Dictionary of Music,” the “Dictionary of National Biography,” and, having made a special study of Russian art and literature, to the Fortnightly, Contemporary, Studio, etc., on Russian music and painting, upon which subjects she has also lectured. Mrs. Newmarch visits Russia as often as she is able, and so keeps herself in touch with its movements and developments in arts and letters.
Mrs. Newmarch’s first volume of poems was published in 1903 under the title “Horæ Amoris: Songs and Sonnets.” The title poem (“Love’s Book of Hours”) is a sonnet sequence based on a series of tragic events which actually happened, and each sonnet crystallises a phase or a mood in the inner life of the two chief actors. It may have been suggested by Meredith’s “Modern Love,” but it is not consciously imitative of it. Love of music and Russia gives distinction to the volume.
“Songs to a Singer, and Other Verses” is the title of Mrs. Newmarch’s second volume of verse, published by Mr. John Lane in 1906. The selections given in the following pages will doubtless make all lovers of music desire to possess the whole.