Alfred H. Miles, ed. The Sacred Poets of the Nineteenth Century. 1907.
By Critical and Biographical Essay by Alexander B. GrosartJohn Owen (18361896)
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This is not the place to do more than name his chief books—viz. (α) “Evenings with the Skeptics,” 2 vols., 8vo (1881); (β) a revival of Glanvil’s “Scepsis Scientifica” (1885); (γ) “The Skeptics of the Italian Renaissance, and the Skeptics of the French Renaissance,” 2 vols., 8vo (1893–4); (δ) “Essay on the Organisations of the Early Church” (1895), prefixed to Harnack’s “Sources of the Apostolic Canons.”
But it is as a poet that we have to do with John Owen. In 1889 appeared “Verse Musings on Nature, Faith, and Freedom.” A revised and enlarged edition of this volume was published in 1894. This volume is more remarkable—and it is remarkable—for its weight of thinking (“Musings”) than for its technique of rhyme and rhythm. It is marred by faults of measure, uncouth terms, and involute phrasings; nevertheless, when most irate with these, we come on the “higher strain,” and jets of melody, and quaint conceits of fancy, and memorabilia of axiomatic truths. A favourite fashion of his is to beat out a couplet, or stanza, and the like, of a prior poet. The result is not always a success, for the tiny nugget becomes extremely thin gold-leaf. And yet some of the finest things in the volume spring out of his texts. None can read a page without having avenues of thought and speculation opened out. Selection, to be just, would need to be fuller than our limits admit. But the poems that we have taken may be left to speak for themselves.