Alfred H. Miles, ed. The Sacred Poets of the Nineteenth Century. 1907.
By Critical and Biographical Essay by Alfred H. MilesFrances Ridley Havergal (18361879)
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Much of Miss Havergal’s verse was first published in leaflet form; but from time to time her poems were collected and published with others in volumes bearing titles as follows: “Ministry of Song” (1869); “Twelve Sacred Songs for Little Singers” (1870); “Under the Surface” (1874); “Loyal Responses” (1878); “Life Mosaic” (1879); “Life Chords” (1880); “Life Echoes” (1883). Miss Havergal’s verse owes its popularity more to its religious teaching than to its poetic merit—teaching which has been aptly described as “mildly Calvinistic without the severe dogmatic tenet of reprobation.” Without making any pretensions to the role of a poet, she gave lyrical expression to her own spiritual experiences and aspirations, and in doing so voiced the feelings and desires of others less able to express themselves. In this, though it cannot be said that she showed any marked originality of thought or felicity of expression, she at least fulfilled one of the offices of poetry. Many of her hymns have become widely popular, and have been included in various hymn-books in England and America. Her “Consecration Hymn,” beginning