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Home  »  Specimens of American Poetry  »  James Gates Percival (1795–1856)

Samuel Kettell, ed. Specimens of American Poetry. 1829.

By Night Watching

James Gates Percival (1795–1856)

SHE sat beside her lover, and her hand

Rested upon his clay-cold forehead. Death

Was calmly stealing o’er him, and his life

Went out by silent flickerings, when his eye

Woke up from its dim lethargy, and cast

Bright looks of fondness on her. He was weak,

Too weak to utter all his heart. His eye

Was now his only language, and it spake

How much he felt her kindness, and the love

That sat, when all had fled, beside him. Night

Was far upon its watches, and the voice

Of nature had no sound. The pure blue sky

Was fair and lovely, and the many stars

Look’d down in tranquil beauty on an earth

That smiled in sweetest summer. She look’d out

Through the raised window, and the sheeted bay

Lay in a quiet sleep below, and shone

With the pale beam of midnight—air was still,

And the white sail, that o’er the distant stream

Moved with so slow a pace, it seem’d at rest,

Fix’d in the glassy water, and with care

Shunn’d the dark den of pestilence, and stole

Fearfully from the tainted gale that breathed

Softly along the crisping wave—that sail

Hung loosely on its yard, and as it flapp’d,

Caught moving undulations from the light,

That silently came down, and gave the hills,

And spires, and walls, and roofs, a tint so pale,

Death seem’d on all the landscape—but so still,

Who would have thought that anything but peace

And beauty had a dwelling there! The world

Had gone, and life was not within those walls,

Only a few, who linger’d faintly on,

Waiting the moment of departure; or

Sat tending at their pillows, with a love

So strong it master’d fear—and they were few,

And she was one—and in a lonely house,

Far from all sight and sound of living thing,

She watched the couch of him she loved, and drew

Contagion from the lips that were to her

Still beautiful as roses, though so pale

They seem’d like a thin snow-curl. All was still,

And even so deeply hush’d, the low, faint breath

That trembling gasp’d away, came through the night

As a loud sound of awe. She pass’d her hand

Over those quivering lips, that ever grew

Paler and colder, as the only sign

To tell her life still linger’d—it went out!

And her heart sank within her, when the last

Weak sigh of life was over, and the room

Seem’d like a vaulted sepulchre, so lone

She dared not look around: and the light wind,

That play’d among the leaves and flowers that grew

Still freshly at her window, and waved back

The curtain with a rustling sound, to her,

In her intense abstraction, seem’d the voice

Of a departed spirit. Then she heard,

At least in fancy heard, a whisper breathe

Close at her ear, and tell her all was done,

And her fond loves were ended. She had watch’d

Until her love grew manly, and she check’d

The tears that came to flow, and nerved her heart

To the last solemn duty. With a hand

That trembled not, she closed the fallen lid,

And press’d the lips, and gave them one long kiss—

Then decently spread over all a shroud;

And sitting with a look of lingering love

Intense in tearless passion, rose at length,

And pressing both her hands upon her brow,

Gave loose to all her gushing grief in showers,

Which, as a fountain seal’d till it had swell’d

To its last fulness, now gave way and flow’d

In a deep stream of sorrow. She grew calm,

And parting back the curtains, look’d abroad

Upon the moonlight loveliness, all sunk

In one unbroken silence, save the moan

From the lone room of death, or the dull sound

Of the slow-moving hearse. The homes of men

Were now all desolate, and darkness there,

And solitude and silence took their seat

In the deserted streets, as if the wing

Of a destroying angel had gone by,

And blasted all existence, and had changed

The gay, the busy, and the crowded mart

To one cold, speechless city of the dead.