Carl Sandburg (1878–1967). Smoke and Steel. 1922.
IX. Haze14. Nights Nothings Again
W
when I have asked the night questions
and the night has answered nothing
only the old answers?
the tail light of a motor car turning a corner,
or the midnight sign of a chile con carne place,
or a man out of the ashes of false dawn muttering “hot-dog” to the night watchmen:
Is there a spieler who has spoken the word or taken the number of night’s nothings? am I the spieler? or you?
the night has not fed and rested
and kept on its neck and shoulders?
of man to woman
and woman to man
the night has not written
and signed its name under?
as a woman forgets?
and remember
as a woman remembers?
this head of hair,
this gipsy head
calling: Come-on?
and asked the night questions
and was laughed at?
for a long soft kiss
and lost the half-way lips?
who picked a red lamp in a mist?
fold its Mona Lisa hands
and sit half-smiling, half-sad,
nothing at all,
and everything,
all the world ?
let down its hair
and shake its bare shoulders
and blow out the candles of the moon,
whispering, snickering,
cutting off the snicker .. and sobbing ..
out of pillow-wet kisses and tears?
than the secret wishes of women,
the stretched empty arms of women?
the hair of women with stars and roses?
I asked the night these questions.
I heard the night asking me these questions.
put these whispered nothings
across the city dust and stones,
across a single yellow sunflower,
one stalk strong as a woman’s wrist;
the jig-time folly of a light rain,
the creepers of a drizzle on the sidewalks
for the policemen and the railroad men,
for the home-goers and the homeless,
silver fans and funnels on the asphalt,
the many feet of a fog mist that crept away;
put these nothings across
and the night wind came saying: Come-on:
and the curve of sky swept off white clouds
and swept on white stars over Battery to Bronx,
scooped a sea of stars over Albany, Dobbs Ferry, Cape Horn, Constantinople.
strange as a face next to mine on a pillow
and now I know … as I knew always …
the night is a lover of mine …
I know the night is … everything.
I know the night is … all the world.
play sleep and murmur
with never an eyelash,
never a glint of an eyelid,
quivering in the water-shadows.
Breaths of the sea salt Atlantic, breaths of two rivers, and a heave of hawsers and smokestacks, the swish of multiplied sloops and war dogs, the hesitant hoo-hoo of coal boats: among these I listen to Night calling:
I give you what money can never buy: all other lovers change: all others go away and come back and go away again:
I am the one you slept with last night.
I am the one you sleep with tonight and tomorrow night.
I am the one whose passion kisses
keep your head wondering
and your lips aching
to sing one song
never sung before
at night’s gipsy head
calling: Come-on.
These hands that slid to my neck and held me,
these fingers that told a story,
this gipsy head of hair calling: Come-on:
can anyone else come along now
and put across night’s nothings again?
I have pounded at useless doors and called my people fools.
I have staggered alone in a winter dark making mumble songs
to the sting of a blizzard that clutched and swore.
It was the night in my blood:
open dreaming night,
night of tireless sheet-steel blue:
The hands of God washing something,
feet of God walking somewhere.