Henry James. (1843–1916). The Portrait of a Lady.
The Harvard Classics Shelf of Fiction. 1917.
“It’s very soon told,” said Edward Rosier. “I have sold all my bibelots!”
Isabel gave, instinctively, an exclamation of horror; it was as if he had told her he had all his teeth drawn.
“I have sold them by auction at the Hôtel Drouot,” he went on. “The sale took place three days ago, and they have telegraphed me the result. It’s magnificent.”
“I am glad to hear it; but I wish you had kept your pretty things.”
“I have the money instead—forty thousand dollars. Will Mr. Osmond think me rich enough now?”
“Is it for that you did it?” Isabel asked, gently.
“For what else in the world could it be? That is the only thing I think of. I went to Paris and made my arrangements. I couldn’t stop for the sale; I couldn’t have seen them going off; I think it would have killed me. But I put them into good hands, and they brought high prices. I should tell you I have kept my enamels. Now I have got the money in my pocket, and he can’t say I’m poor!” the young man exclaimed, defiantly.
“He will say now that you are not wise,” said Isabel, as if Gilbert Osmond had never said this before.
Rosier gave her a sharp look.
“Do you mean that without my bibelots I am nothing? Do you mean that they were the best thing about me? That’s what they told me in Paris; oh, they were very frank about it. But they hadn’t seen her!”
“My dear friend, you deserve to succeed,” said Isabel, very kindly.
“You say that so sadly that it’s the same as if you said I shouldn’t. And he questioned her eye with the clear trepidation of his own. He had the air of a man who knows he has been the talk of Paris for a week and is full half a head taller in consequence; but who also has a painful suspicion that in spite of this increase in stature one or two persons still have the perversity to think him diminutive. “I know what happened here while I was away,” he went on. “What does Mr. Osmond expect, after she has refused Lord Warburton?”
Isabel hesitated a moment.
“That she will marry another nobleman.”
“What other nobleman?”
“One that he will pick out.”
Rosier slowly got up, putting his watch into his waistcoat-pocket.
“You are laughing at some one; but this time I don’t think it’s at me.”
“I didn’t mean to laugh,” said Isabel. “I laugh very seldom. Now you had better go away.”
“I feel very safe!” Rosier declared, without moving. This might be; but it evidently made him feel more so to make the announcement in rather a loud voice, balancing himself a little complacently, on his toes, and looking all around the Coliseum, as if it were filled with an audience. Suddenly Isabel saw him change colour; there was more of an audience than he had suspected. She turned, and perceived that her two companions had returned from their excursion.
“You must really go away,” she said, quickly.
“Ah, my dear lady, pity me!” Edward Rosier murmured, in voice strangely at variance with the announcement I have just quoted. And then he added, eagerly, like a man who in the midst of his misery is seized by a happy thought—“Is that lady the Countess Gemini? I have a great desire to be presented to her.”
Isabel looked at him a moment.
“She has no influence with her brother.”
“Ah, what a monster you make him out!” Rosier exclaimed, glancing at the Countess, who advanced, in front of Pansy, with an animation partly due perhaps to the fact that she perceived her sister-in-law to be engaged in conversation with a very pretty young man.
“I am glad you have kept your enamels!” Isabel exclaimed, leaving him. She went straight to Pansy, who, on seeing Edward Rosier, had stopped short, with lowered eyes. “We will go back to the carriage,” said Isabel gently.
“Yes, it is getting late,” Pansy answered, more gently still. And she went on without a murmur, without faltering or glancing back.
Isabel, however, allowed herself this last liberty, and saw that a meeting had immediately taken place between the Countess and Mr. Rosier. He had removed his hat, and was bowing and smiling; he had evidently introduced himself; while the Countess’s expressive back displayed to Isabel’s eye a gracious inclination. These facts, however, were presently lost to sight, for Isabel and Pansy took their places again in the carriage. Pansy, who faced her stepmother, at first kept her eyes fixed on her lap; then she raised them and rested them on Isabel’s. There shone out of each of them a little melancholy ray—a spark of timid passion which touched Isabel to the heart. At the same time a wave of envy passed over her soul, as she compared the tremulous longing, the definite ideal, of the young girl with her own dry despair.
“Poor little Pansy!” she said, affectionately.
“Oh, never mind!” Pansy answered, in the tone of eager apology.
And then there was a silence; the Countess was a long time coming.
“Did you show your aunt everything, and did she enjoy it?” Isabel asked at last.
“Yes, I showed her everything. I think she was very much pleased.”
“And you are not tired, I hope.”
“Oh no, thank you, I am not tired.”
The Countess still remained behind, so that Isabel requested the footman to go into the Coliseum and tell her that they were waiting. He presently returned with the announcement that the Signora Contessa begged them not to wait—she would come home in a cab!
About a week after this lady’s quick sympathies had enlisted themselves with Mr. Rosier, Isabel, going rather late to dress for dinner, found Pansy sitting in her room. The girl seemed to have been waiting for her; she got up from her low chair.
“Excuse my taking the liberty,” she said, in a small voice. “It will be the last—for some time.”
Her voice was strange, and her eyes, widely opened, had an excited, frightened look.
“You are not going away!” Isabel exclaimed.
“I am going to the convent.”
“To the convent?”
Pansy drew nearer, till she was near enough to put her arms round Isabel and rest her head on her shoulder. She stood this way a moment, perfectly still; but Isabel could feel her trembling. The tremor of her little body expressed everything that she was unable to say.
Nevertheless, Isabel went on in a moment—
“Why are you going to the convent?”
“Because papa thinks it best. He says a young girl is better, every now and then, for making a little retreat. He says the world, always the world, is very bad for a young girl. This is just a chance for a little seclusion—a little reflection.” Pansy spoke in short detached sentences, as if she could not trust herself. And then she added, with a triumph of self-control—“I think papa is right; I have been so much in the world this winter.”
Her announcement had a strange effect upon Isabel; it seemed to carry a larger meaning than the girl herself knew.
“When was this decided?” she asked. “I have heard nothing of it.”
“Papa told me half-an-hour ago; he thought it better it shouldn’t be too much talked about in advance. Madame Catherine is to come for me at a quarter past seven, and I am only to take two dresses. It is only for a few weeks; I am sure it will be very good. I shall find all those ladies who used to be so kind to me, and I shall see the little girls who are being educated. I am very fond of little girls,” said Pansy, with a sort of diminutive grandeur. “And I am also very fond of Mother Catherine. I shall be very quiet, and think a great deal.”
Isabel listened to her, holding her breath; she was almost awe-struck.
“Think of me, sometimes,” she said.
“Ah, come and see me soon!” cried Pansy; and the cry was very different from the heroic remarks of which she had just delivered herself.
Isabel could say nothing more; she understood nothing; she only felt that she did not know her husband yet. Her answer to Pansy was a long tender kiss.
Half-an-hour later she learned from her maid that Madame Catherine had arrived in a cab, and had departed again with the Signorina. On going to the drawing-room before dinner she found the Countess Gemini alone, and this lady characterised the incident by exclaiming, with a wonderful toss of the head—“En voilà, ma chère, une pose!” But if it was an affectation, she was at a loss to see what her husband affected. She could only dimly perceive that he had more traditions than she supposed. It had become her habit to be so careful as to what she said to him that, strange as it may appear, she hesitated, for several minutes after he had come in, to allude to his daughter’s sudden departure; she spoke of it only after they were seated at table. But she had forbidden herself ever to ask Osmond a question. All she could do was to make a declaration, and there was one that came very naturally.
“I shall miss Pansy very much.”
Osmond looked a while, with his head inclined a little, at the basket of flowers in the middle of the table.
“Ah, yes,” he said at last, “I had thought of that. You must go and see her, you know; but not too often. I dare say you wonder why I sent her to the good sisters; but I doubt whether I can make you understand. It doesn’t matter; don’t trouble yourself about it. That’s why I had not spoken of it. I didn’t believe you would enter into it. But I have always had the idea; I have always thought it a part of the education of a young girl. A young girl should be fresh and fair; she should be innocent and gentle. With the manners of the present time she is liable to become so dusty and crumpled! Pansy is a little dusty, a little dishevelled; she has knocked about too much. This bustling, pushing rabble, that calls itself society—one should take her out of it occasionally. Convents are very quiet, very convenient, very salutary. I like to think of her there, in the old garden, under the arcade, among those tranquil, virtuous women. Many of them are gentlewomen born; several of them are noble. She will have her books and her drawing; she will have her piano. I have made the most liberal arrangements. There is to be nothing ascetic; there is just to be a certain little feeling. She will have time to think, and there is something I want her to think about.” Osmond spoke deliberately, reasonably, still with his head on one side, as if he were looking at the basket of flowers. His tone, however, was that of a man not so much offering an explanation as putting a thing into words—almost into pictures—to see, himself, how it would look. He contemplated a while the picture he had evoked, and seemed greatly pleased with it. And then he went on—“The Catholics are very wise, after all. The convent is a great institution; we can’t do without it; it corresponds to an essential need in families, in society. It’s a school of good manners; it’s a school of repose. Oh, I don’t want to detach my daughter from the world,” he added; “I don’t want to make her fix her thoughts on the other one. This one is very well, after all, and she may think of it as much as she chooses. Only she must think of it as much as she chooses. Only she must think of it in the right way.”
Isabel gave an extreme attention to this little sketch; she found it indeed intensely interesting. It seemed to show her how far her husband’s desire to be effective was capable of going—to the point of playing picturesque tricks upon the delicate organism of his daughter. She could not understand his purpose, no—not wholly; but she understood it better than he supposed or desired, inasmuch as she was convinced that the whole proceeding was an elaborate mystification, addressed to herself and destined to act upon her imagination. He wished to do something sudden and arbitrary, something unexpected and refined; to mark the difference between his sympathies and her own, and to show that if he regarded his daughter as a precious work of art, it was natural he should be more and more careful about the finishing touches. If he wished to be effective he had succeeded; the incident struck a chill into Isabel’s heart. Pansy had known the convent in her childhood and had found a happy home there; she was fond of the good sisters, who were very fond of her, and there was therefore, for the moment, no definite hardship in her lot. But all the same, the girl had taken fright; the impression her father wanted to make would evidently be sharp enough. The old Protestant tradition had never faded from Isabel’s imagination, and as her thoughts attached themselves to this striking example of her husband’s genius—she sat looking, like him, at the basket of flowers—poor little Pansy became the heroine of a tragedy. Osmond wished it to be known that he shrank from nothing, and Isabel found it hard to pretend to eat her dinner. There was a certain relief, presently, in hearing the high, bright voice of her sister-in-law. The Countess, too, apparently, had been thinking the thing out; but she had arrived at a different conclusion from Isabel.
“It is very absurd, my dear Osmond,” she said, “to invent so many pretty reasons for poor Pansy’s banishment. Why don’t you say at once that you want to get her out of my way? Haven’t you discovered that I think very well of Mr. Rosier? I do indeed; he seems to me a delightful young man. He has made me believe in true love; I never did before! Of course you have made up your mind that with those convictions I am dreadful company for Pansy.”
Osmond took a sip of a glass of wine; he looked perfectly good-humoured.
“My dear Amy,” he answered, smiling as if he were uttering a piece of gallantry, “I don’t know anything about your convictions, but if I suspected that they interfere with mine it would be much simpler to banish you.”