Washington Irving (1783–1859). Rip Van Winkle & The Legend of Sleepy Hollow.
The Harvard Classics Shelf of Fiction. 1917.
Criticisms and Interpretations. I. By George E. Woodberry
Irving, however, thorough American of his day though he was, bore but little relation to the life of the nation. He was indebted to his country for some impulses of his genius and much material which he reworked into books; but he gave more than he received. Our early literary poverty is illustrated by the gifts he brought. He was a pioneer of letters, but our literary pioneers instead of penetrating further into the virgin wilderness had to hark back to the old lands and come again with piratical treasures; and in this he was only the first of a long line of continental adventurers. Much of American literary experience, which comes to us in our few classics, was gained on foreign soil; and, in fact, it must be acknowledged that, like some young wines, American genius has been much improved by crossing the seas. Irving was the first example. Commerce naturally leads to travel, and he went out as a man in trade to stay a few months. He remained seventeen years. It was not merely that he received there an aristocratic social training and opportunity peculiarly adapted to ripen his graces—and the graces of his style and nature are essentially social graces—but subjects were given to him and his sympathies drawn out and loosed by both his English and his Spanish residences.
Sentiment and romance were more to him than humor, and grew to be more with years; and in the old lands his mind found that to cling to and clamber over which otherwise might not have come to support his wandering and sympathetic mood. Genius he had, the nature and the faculty of an imaginative writer; what he needed was not power but opportunity; and at every new chance of life he answered to the time and place and succeeded. He alone of men not English-born has added fascination to English shrines, and given them that new light that the poet brings; and he has linked his name indissolubly for all English-reading people with the Alhambra and Granada. It was because of his American birth that he wrote of Columbus, and perhaps some subtle imaginative sympathy always underlies the attraction of Spain, which is so marked, for American writers; but it was not unfitting that in his volumes of travel sketches the romantic after-glow of Spain should bloom in our western sky. By such works, more than by English sketches, which will always seem an undivided part of English literature, he gave to our early literature a romantic horizon, though found in the history and legend of a far country, which it had hitherto lacked; and it is a striking phenomenon to find our writers, on whom the skies shut down round the shores of the New World, lifting up and opening out these prospects into the picturesque distance of earth’s space and the romantic remoteness of history, as if our literary genius were gone on a voyage of discovery. It shows the expansion of the national mind, the cessation of the exiguous exile of the colonial days, the beginning of our reunion with the nations of the world, which still goes on; and in this reunion, necessary for our oneness with man, literature led the way in these romantic affections of our first travelled man of letters, Irving, in whose wake the others followed.—From “America in Literature” (1903).