John Bartlett (1820–1905). Familiar Quotations, 10th ed. 1919.
Edgar Allan Poe 1809-1849 John Bartlett
1 | |
All that we see or seem Is but a dream within a dream. | |
A Dream within a Dream. | |
2 | |
Sound loves to revel in a summer night. | |
Al Aaraaf. | |
3 | |
Years of love have been forgot In the hatred of a minute. | |
To ———. | |
4 | |
From a proud tower in the town Death looks gigantically down. | |
The City in the Sea. | |
5 | |
Vastness! and Age! and Memories of Eld! Silence! and Desolation! and dim Night! | |
The Coliseum. | |
6 | |
This—all this—was in the olden Time long ago. | |
The haunted Palace. | |
7 | |
Unthought-like thoughts that are the souls of thought, | |
To ———. | |
8 | |
This maiden she lived with no other thought Than to love and be loved by me. | |
Annabel Lee. | |
9 | |
Keeping time, time, time In a sort of Runic rhyme To the tintinnabulation that so musically wells From the bells, bells, bells. | |
The Bells. | |
10 | |
Hear the mellow wedding bells Golden bells! What a world of happiness their harmony foretells Through the balmy air of night How they ring out their delight! | |
The Bells. | |
11 | |
And all my days are trances And all my nightly dreams Are where thy dark eye glances And where thy footstep gleams— In what ethereal dances By what eternal streams. | |
To One in Paradise. | |
12 | |
Once upon a midnight dreary, while I pondered, weak and weary Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping. | |
The Raven. | |
13 | |
Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor. | |
The Raven. | |
14 | |
And the silken, sad, uncertain rustling of each purple curtain Thrilled me—filled me with fantastic terrors never felt before. | |
The Raven. | |
15 | |
Deep into that darkness peering, long I stood there, wondering, fearing, Doubting, dreaming dreams no mortal ever dreamed before. | |
The Raven. | |
16 | |
Perched upon a bust of Pallas, just above my chamber door,— Perched, and sat, and nothing more. | |
The Raven. | |
17 | |
Whom unmerciful disaster Followed fast and followed faster. | |
The Raven. | |
18 | |
Take thy beak from out my heart, and take thy form from off my door! Quoth the Raven, “Nevermore.” | |
The Raven. | |
19 | |
And my soul from out that shadow that lies floating on the floor Shall be lifted—Nevermore! | |
The Raven. | |
20 | |
To the glory that was Greece And the grandeur that was Rome. | |
To Helen. | |
21 | |
The skies they were ashen and sober; The leaves they were crisped and sere— The leaves they were withering and sere; It was night in the lonesome October Of my most immemorial year. | |
Ulalume. | |
22 | |
Here once, through an alley Titanic, Of cypress, I roamed with my soul,— Of cypress, with Psyche, my soul. | |
Ulalume. | |
23 | |
A Quixotic sense of the honorable—of the chivalrous. | |
Letter to Mrs. Whitman. Oct. 18, 1848. | |
24 | |
The object, Truth, or the satisfaction of the intellect, and the object, Passion, or the excitement of the heart, are, although attainable, to a certain extent, in poetry, far more readily attainable in prose. | |
The Philosophy of Composition. | |
25 | |
I would define, in brief, the Poetry of words as the Rhythmical Creation of Beauty. Its sole arbiter is Taste. | |
The poetic Principle. | |
26 | |
Can it be fancied that Deity ever vindictively Made in his image a mannikin merely to madden it? 1 | |
The Rationale of Verse. |
Note 1. FitzGerald: Omar Khayyám. What! out of senseless Nothing to provoke A conscious Something to resent the yoke. [back] |